Facet Media

South Florida multimedia company.

Browsing Posts in RED One

Need a Digital Imaging Technician for your RED workflow? We have the tools to make sure your RED footage is safe, cataloged and first light corrected. We provide on set data back up services and RED footage preview. Send an email to andrae@facetmedia.com for further information.

We can assist your shoot with a Nehalem Mac Pro 8 core 2.93GHz, 17″ MacBook Pro, 30″ Apple Cinema Display, G-RAID Drives and Panasonic BT-LH1700w. Software arsenal includes REDRushes, REDCine, REDAlert, After Effects CS4, Premiere Pro and Final Cut Studio 2.

We are still awaiting our order of the RED Pro Primes kit and the RED 18-85mm zoom lens. It’s been over 2 years now since placing an order for the RED Pro Primes. Needless to say delivery has been taking quite a while. :-) Well the RED lenses will be arriving at a great time, now that we have a second RED camera body to act as a backup body or for second AD crew. We were told by RED that the lenses should be available this month and will keep you guys posted when the lenses arrive. The RED Pro Prime kit Includes 25mm, 35mm, 50mm, 85mm, 100mm. The quality of these lenses are absolutely stunning and the talk is that technically they rival the Zeiss Master Primes which are way more expensive. As soon as we get our hands on these babies we’ll post some samples. Nighttime filming with these should be a blast.

BTW… we are looking for local indies to colloborate with on projects. So send me an email at andrae@facetmedia.com if you have a cool project in mind. If we dig the idea we’ll see what we can do together.

1080P snails . Apple ProRes 422 (HQ) . 10 seconds . 202.8 MB
http://www.facetmedia.com/RED-footage/snail-1080.mov

Backyard Productions… present… Meet My Little Friend… starring miss Norops Sagrei.

Apple ProRes 422 (HQ) . 720p . 10 seconds . 113.9 MB:
http://www.facetmedia.com/RED-footage/lizard-pole-720.mov

Build 17 . RED 18-50mm zoom, Focal Length 50mm . Shuttler 1/24 . Aperture T3. Processed in RedCine… added contrast, saturation, pressed blacks.

RED DAY Photo Set
Just came back from RED headquarters in Lake Forest, California yesterday. They had a workflow presentation with Michael Cioni from PlasterCity Post and Lucas from Assimilate. It was cool to see where the revolution is taking place. I’ve added a photo set to flickr of the event. Click on the pic above to see the full size pictures.

We still have the 7″ RED LCD and EVF on back order. Will more than likely also order the Panasonic BT-LH900a too.

After impatiently waiting more than a year our 4K RED ONE camera is finally here. We are highly looking forward to future projects with top notch cinematic appeal.

Here’s a directory with some test clip footage: http://facetmedia.com/RED-footage/

We are very impressed with the images coming from this camera. Finally we are able to use real 35mm lenses with PL mounts that are standard in the Motion Picture industry. So far we’ve tested out the RED 18-50mm and the Angenieux 25-250mm. The Angenieux lens though old (1970’s… used by Stanley Kubrick for his movie Barry Lyndon) produced a filmic look right off the bat. We were completely blown away. What was even more amazing was when we loaded the clips in REDCINE and realized how far we could push the images. This is nothing like video.